Hürlement

Hürlement
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Hürlement is an avant-garde project rooted in early experimental cinema. The work draws its conceptual foundation from Hurlements en faveur de Sade, a 1952 French avant-garde film directed by Guy Debord. This groundbreaking film was notable for being devoid of any images, representing an early and innovative example of Lettrist cinema. The project embodies the experimental spirit of mid-twentieth century avant-garde artistic movements that challenged conventional approaches to media and expression.